Many stories incorporate the hero’s journey. Her return brings hope to those back at home and a chance at new beginnings. The hero returns to the ordinary world as a changed person. This is Harry Potter facing Lord Voldemort, Frodo standing at the ledge in Mount Doom or Iron Man vs. It’s not just his life on the line, however, but the lives of everyone he knows. The final battle in which the hero faces his greatest test. This may also require a sacrifice for the greater good. Returning home to reenter the ordinary world. So is Luke Skywalker gaining the insight that The Force is real and he can use it to blow up the Death Star. Dorothy entering the Wicked Witch of the West’s castle with the broom and bucket of water – objects she needs to win – is a moment of reward. The hero emerges as the victor and claims his reward – sometimes an object or great knowledge. This is not the climax of the story, but the point where the hero truly does something heroic. If the hero fails, he either dies or life as he knows it comes to an end. This conflict represents the biggest challenge (so far).
There’s also a pause to reflect on what has happened and prepare for what is to come. The cave may be a terrible danger or difficult internal conflict. The hero confronts doubts and fears again. This is typically the part of the story where the hero gathers a squad of people around them to support them as they make their journey. The hero encounters obstacles and tests, finds allies and makes enemies. The hero now accepts the call to adventure and begins the quest – there’s no turning back! This moment is always a big one in film – Harry board the Hogwarts Express, Frodo and his friend run from The Shire, Luke Skywalker journeys to Mos Eisley spaceport, and Neo takes the red pill. This can range from advice, insight into their situation they didn’t previously have, or a weapon or artifact of some kind that holds importance. Meeting the MentorĪ figure appears to give the hero something that motivates them to accept the call to adventure. Once confronted by the idea of actually leaving, they want to remain in the “safe place” that is their ordinary world. Refusal of the Callįor various reasons – fear, doubts about their abilities, etc. Sometimes, it’s a direct threat to herself, her family or her community.
Typically, this comes as a problem or incident that the hero cannot ignore. The inciting incident and an offer to begin an adventure. It’s typically a remote place such as The Shire in “The Lord of the Rings” or Tatooine in “Star Wars.” The hero may even be comfortable there, but most often longs for adventure. This is where the hero exists at the start of the story. Those ideas have been expanded on to include 12 steps. They involve the hero leaving their ordinary world, becoming initiated in a special world where they go through many trials, and then returning home in triumph. The renowned mythologist Joseph Campbell first described the hero’s journey so often repeated in tales from antiquity. Understanding these steps is something students learn in detail in a Bachelor of Fine Arts in Screenwriting program. The following provides an overview of the hero’s journey stages. It’s the foundation upon which some of the most famous stories have been built, including “Star Wars,” “The Matrix,” “The Lord of the Rings” and the “Harry Potter” series. The hero’s journey is used time and again. It includes 12 steps that lead the hero of a story from their ordinary world into the trials and tribulations of an epic adventure, and then back home again. The hero’s journey provides a framework for writers to follow in writing works of fiction.
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